For the second year in a row fontaine b. is participating jointly with our partner Museum für Druckgrafik / Edition Markus Gell at the fair MAD Multiple Art Days 5th edition in Paris, France.
Dates: September 6, 7, 8
Location: IESA, 1 Cité Griset 75011 Paris
This year we will be presenting editions of the following artists:
Open to the public, September 6 from 12pm to 6pm and September 7 & 8, from 12pm to 7pm.
Opening, September 6, from 6pm to 9pm (by invitation only).
Professional access, September 6 (on demand).
FOR MORE INFORMATION ABOUT MAD GO TO WWW.MULTIPLEARTDAYS.FR
Marcel Duchamp, in full Henri-Robert-Marcel Duchamp, (born July 28, 1887, Blainville, France—died October 2, 1968, Neuilly), French artist who broke down the boundaries between works of art and everyday objects. After the sensation caused by Nude Descending a Staircase, No. 2 (1912), he painted few other pictures. His irreverence for conventional aesthetic standards led him to devise his famous ready-mades and heralded an artistic revolution. Duchamp was friendly with the Dadaists, and in the 1930s he helped to organize Surrealist exhibitions. He became a U.S. citizen in 1955.
(Courtesy of www.britannica.com)
Born in Liberec (formerly Reichenberg), Bohemia, in 1941, the artist fled as a child with his family to West Germany’s Rhineland. As a teenager, he attended the School of Applied Arts in Krefeld. A truncated period at the Kunstakademie Düsseldorf and a short spell in Paris introduced him to art history’s methods and masterpieces, but it was only on moving to West Berlin in 1962 that he found an artistic community in which he would flourish – Georg Baselitz, A.R. Penck, and Jörg Immendorff among them – and quickly emerged as a force to be reckoned with in German post-war art.
Less mentioned, yet equally grand is the production of Markus Lüpertz, who has been active in the fields of painting, sculpture, poetry, editing, education and piano playing for over fifty years. Lüpertz’s solution, and his first major contribution to contemporary art, was the ‘dithyramb’. Inspired by the fabled ecstatic chants of Dionysian revellers, he embarked on a series of paintings in which he worked obsessively over shapes and forms. Over the decades, Lüpertz has painted motifs culled from sources as diverse as fashion advertising, Romantic landscapes, and cubist still life’s. If horrors are portrayed as images in the graphic compositions of other series such as War and German Motifs (1970 – 1976), the artist finds a way of evoking them even in his most abstract works. He’s created bodies of work devoted to specific classical heroes, and a series of Arcadias (2001), which pulls them together in verdant settings.
(Courtesy of www.alminerech.com)
born in Osaka, Japan (1972), lives and works in Berlin.
Confronting fundamental human concerns such as life, death and relationships, Shiota explores human existence throughout various dimensions by creating an existence in the absence either in her large-scale thread installations that include a variety of common objects and external memorabilia or through her drawings, sculptures, photography and videos.
In 2007, she received the Art Encouragement Prize from the Japanese Minister of Education, Culture, Sports, Science and Technology. Her solo exhibitions across the world include Art Gallery of South Australia (2018); Yorkshire Sculpture Park, UK (2018); Power Station of Art, Shanghai (2017); K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf (2015); Smithsonian Institution Arthur M.Sackler Gallery, Washington DC (2014); the Museum of Art, Kochi (2013); and the National Museum of Art, Osaka (2008) among others. She has also participated in numerous international exhibitions such as Oku-Noto International Art Festival (2017), Sydney Biennale (2016), Echigo-Tsumari Art Triennale (2009) and Yokohama Triennale (2001). In 2015, Shiota was selected to represent Japan at the 56th Venice Biennale.
(Courtesy of www.chiharu-shiota.com)